'The tone is spot-on a thoughtful and sophisticated novel that has the courage to Moshin Hamid The Reluctant Fundamentalist PENGUIN BOOKS THE. novel, The Reluctant Fundamentalist, offers up just the sort of short cut that an The 'inner' story of the novel consists of Changez's brief autobiography as. PDF | In the postcolonial and the capitalist phase, the phenomenon of The novel The Reluctant Fundamentalist essentially a first person.
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Read "The Reluctant Fundamentalist" by Mohsin Hamid available from Rakuten Kobo. Sign up today and get $5 off your first download. Now a major motion. Editorial Reviews. blocwindcotssidi.tk Review. Mohsin Hamid's first novel, Moth Smoke , dealt with the confluence of personal and political themes, and his second. From Award-winning director Mira Nair, and based on the acclaimed novel by Mohsin. Hamid, comes the explosive new film, The Reluctant Fundamentalist.
Fresh out of Princeton, he was living in New York City and working as a financial analyst when the terrorist attacks occurred. Whilst he has embraced the US, the attacks please him in an unsettling way. Changez also details his infatuation with the unattainable Erica, a relationship emblematic of his life in the US.
Changez pours out his tale to the American at the table, bringing us slowly into his world, whilst all the time the tension surrounding the interaction between the two protagonists mounts.
What are their motives? Why are they both there? This is an extraordinary, cleverly constructed tale of infatuation and disenchantment with America, told with great skill; it reflects our own insecurities about the modern world.
Hamid describes what he was doing in the text in an interview at the time of his Booker short listing: Q: The Reluctant Fundamentalist cleverly taps into the readers own prejudices about the word fundamentalist.
Were you trying to demonstrate how engrained these prejudices are today? A: The novel is just a conversation between two men, one of whom we never hear, and yet many people have said it feels like a thriller. The reason for that is we are already afraid.
We have been led to believe that we live in a world where terrorism is as likely to kill us as cancer or cholesterol, where the ability to engage in dispassionate, impersonal, politically-motivated homicide is not an aberration but rather natural. We have been encouraged to lose a sense of perspective.
I found myself wishing during the course of the evening that Erica were there. You wondered what had become of her? No, I had not forgotten; she was very much a part of my life in New York, and I shall return to her shortly.
And that, as you will come to understand, is saying a great deal. A week later, when the analyst training program came to an end, Jim called us one by one to his office. He laughed. Nurture it. It can take you a long way. Want to be on it? I felt bathed in a warm sense of accomplishment. Nothing troubled me; I was a young New Yorker with the city at my feet. How soon that would change! My world would be transformed, just as this market around us has been.
See how quickly they have brought those tables into the street. Crowds have begun to stroll where only a few minutes ago there was the rumble of traffic. Coming upon this scene now, one might think that Old Anarkali looked always thus, regardless of the hour. But we, sir, who have been sitting here for some time, we know better, do we not?
Yes, we have acquired a certain familiarity with the recent history of our surroundings, and that—in my humble opinion—allows us to put the present into much better perspective. I have been told that it looks like a rope burn; my more active friends say it is not dissimilar to marks on the bodies of those who have taken up rappelling—or mountain climbing, for that matter.
Perhaps a thought of this nature is passing through your mind, for I detect a certain seriousness in your expression, as though you are wondering what sort of training camp could have given a fellow from the plains such as myself cause to engage in these activities! Allow me, then, to reassure you that the source of my injury was rather prosaic.
We have in this country a phenomenon with which you will doubtless be unfamiliar, given the state of plenty that characterizes your homeland.
Here—particularly in the winter, when the reservoirs of the great dams are almost dry—we face a shortage of electricity that manifests itself in rolling blackouts. We call this load-shedding, and we keep our homes well-stocked with candles so that it does not unduly disrupt our lives. As a child, during such a time of load-shedding, I grabbed hold of one of these candles, tipped it over, and spilled molten wax on myself.
In America, this would have been the start, in all likelihood, of a protracted bout of litigation with the manufacturer for using candle-wax with such a high, and unsafe, melting point; here, it resulted merely in an evening of crying and the rather faint, if oddly linear, scar you see today. Ah, they have begun to turn on the decorative lights that arc through the air above this market! A little gaudy? Yes, you are right; I myself might have chosen something less colorful.
But observe the smiles on the upturned faces of those around us. It is remarkable how theatrical manmade light can be once sunlight has begun to fade, how it can affect us emotionally, even now, at the start of the twenty-first century, in cities as large and bright as this one.
Surely, New York by night must be one of the greatest sights in the world. I remember my early nocturnal explorations of Manhattan, so often with Erica as my guide.
She invited me to her home for dinner soon after our return from Greece; I spent the afternoon deciding what to wear. I knew her family was wealthy, and I wanted to dress as I imagined they would be dressed: My suit seemed too formal; my blazer would have been better, but it was several years old and struck me as somewhat shabby. In the end, I took advantage of the ethnic exception clause that is written into every code of etiquette and wore a starched white kurta of delicately worked cotton over a pair of jeans.
It was a testament to the open-mindedness and— that overused word— cosmopolitan nature of New York in those days that I felt completely comfortable on the subway in this attire.
Indeed, no one seemed to take much notice of me at all, save for a gay gentleman who politely offered me an invitational smile. The area—with its charming bistros, exclusive shops, and attractive women in short skirts walking tiny dogs—felt surprisingly familiar, although I had never been there before; I realized later that I owed my sense of familiarity to the many films that had used it as a setting.
Naturally, I responded with an equally cold and rather imperious tone—carefully calibrated to convey both that I had taken offense and that I found it beneath myself to say so—as I stated my business. This had its desired effect; he promptly rang up to inquire whether I should be allowed to pass and—when informed that I should—directed me in person to the elevator.
I was instructed to press the button for the penthouse, a term associated in my mind with luxury and—yes, I will confess—with pornography as well. Erica received me with a smile; her tanned skin seemed to glow with health. I had forgotten how stunning she was, and in that moment, pressed as we were into close proximity by the confines of the entryway, I was forced to lower my eyes.
She said she wanted to show me something, and I followed her to her bedroom. I felt a peculiar feeling; I felt at home. Perhaps it was because I had recently lived such a transitory existence—moving from one dorm room to thenext—and longed for the settled nature of my past; perhaps it was because I missed my family and the comfort of a family residence, where generations stayed together, instead of apart in an atomized state of age segregation; or perhaps it was because a spacious bedroom in a prestigious apartment on the Upper East Side was, in American terms, the socioeconomic equivalent of a spacious bedroom in a prestigious house in Gulberg, such as the one in which I had grown up.
Whatever the reason, it made me smile, and Erica, seeing me smile, smiled back and held up a slender, brown parcel. And so I kind of want to hold onto it for a little longer. I met her eyes, and for the first time I perceived that there was something broken behind them, like a tiny crack in a diamond that becomes visible only when viewed through a magnifying lens; normally it is hidden by the brilliance of the stone.
I wanted to know what it was, what had caused her to create the pearl of which she had spoken. But I thought it would be presumptuous of me to ask; such things are revealed by a person when and to whom they choose.
So I attempted to convey through my expression alone my desire to understand her and said nothing further. As we were leaving her room, I noticed a sketch on the wall. It depicted under stormy skies a tropical island with a runway and a steep volcano; nestled in the caldera of the volcano was a lake with another, smaller island in it—an island on an island— wonderfully sheltered and calm. She nodded.
His mother gave it to me when she was clearing out his stuff. In its attention to detail—though not, of course, in its style or subject—it reminded me of our miniature paintings, of the sort one would find if one ventured around the corner to the Lahore Museum or the National College of Arts.
Her father stood at a grill, placing hamburgers onto plates; it was apparent from his demeanor that he was a man of consequence in the corporate world. Perhaps you misconstrue the significance of my beard, which, I should in any case make clear, I had not yet kept when I arrived in New York. Moreover, not all of our drinkers are western-educated urbanites such as myself; our newspapers regularly carry accounts of villagers dying or going blind after consumingpoorquality moonshine.
Indeed, in our poetry and folk songs intoxication occupies a recurring role as a facilitator of love and spiritual enlightenment. Is it not a sin? I see you smile; we understand one another, then.
But I digress. It was a warm evening, like this one—summer in New York being like spring here in Lahore. A breeze was blowing then, again as it is now, and it carried a smell of flame-cooked meat not dissimilar to that coming to us from the many open-air restaurants in this market that are beginning their preparations for dinner. The setting was superb, the wine was delicious, the burgers were succulent, and our conversation was for the most part rather pleasant. Erica seemed happy that I was there, and her happiness infected me as well.
I do, however, remember becoming annoyed at one point in the discussion. Corruption, dictatorship, the rich living like princes while everyone else suffers. I like Pakistanis. But the elite has raped that place well and good, right? And fundamentalism.
You guys have got some serious problems with fundamentalism. There was nothing overtly objectionable in what he had said; indeed, his was a summary with some knowledge, much like the short news items on the front Page of The Wall Street Journal, which I had recently begun to read.
Afterwards Erica and I shared a taxi down to Chelsea, where a friend of hers— the daughter of the owner of a contemporary art gallery—had invited her to a party to celebrate the opening of a show. I could hear our driver chatting on his mobile in Punjabi and knew from his accent that he was Pakistani.
Normally I would have said hello, but on that particular night I did not. Not in the least. It shows on your face. It means you care. I insisted on paying for our cab, and Erica led me by the hand into an unimpressive building, a decrepit, post-industrial hulk. Upon entering I heard music; it grew louder as we mounted several flights of stairs, until finally we pushed open a fire door and were immersed in sound.
The gallery was a vast space, white, with clean lines and minimalist fixtures; video projections of faces glowed on the blank heads of mannequins. We passed fashion models, old men with tans, artists in outrageous outfits; I was glad I had worn my kurta.
Erica was soon at the center of a circle of friends, none of whom I had previously met. I watched as she attracted people to her, and I was reminded of our trip to Greece, of the gravity she had exerted on our group. Yet this time was different; this time she had brought me with her, and she made certain— through a glance, the offer of a drink, the touch of her hand at my elbow—that we remained connected throughout the evening.
When she kissed me on the cheek hours later, as I held the door of the cab in which she would return to her home alone, I felt as though we had spent an intimate evening together, even though we had spoken little at the party. In the weeks that followed, she did invite me to meet her on a number of occasions. But unlike that first night—when we were together in her room and in the taxi—we were never again alone.
We went to a small music venue on the Lower East Side, a French restaurant in the meatpacking district, a loft party in TriBeCa—but always in the company of others. Often, I found myself observing Erica as she stood or sat, surrounded by her acquaintances. At these moments she frequently became introspective; it was as though their presence allowed her to withdraw, to recede a half-step inside herself.
She reminded me of a child who could sleep only with the door open and the light on. Sometimes she would become aware of my gaze upon her, and then she would smile at me as though—or so I flattered myself to believe—I had placed a shawl around her shoulders as she returned from a walk in the cold. We exchanged only pleasantries on these outings, and yet I felt our relationship was deepening.
At the end of the evening she would kiss my cheek, and it seemed to me that she lingered a fraction longer each time, until her kisses lasted long enough for me to catch a trace of her scent and perceive the softness of the indentation at the corner of her mouth.
My patience was rewarded the weekend before I left for Manila, when Erica asked me to join her for a picnic lunch in Central Park and I discovered that we were not to be met by anyone else. It was one of those glorious late-July afternoons in New York when a stiff wind off the Atlantic makes the trees swell and the clouds race across the sky.
You know them well? Yes, precisely: Erica wore a straw hat and carried a wicker basket containing wine, fresh-baked bread, sliced meats, several different cheeses, and grapes—a delicious and, to my mind, rather sophisticated assortment. We chatted as we ate, lounging in the grass. The sun is too strong, and the only people one sees sitting outside are clustered in the shade.
There we often used to take our meals in the open—with tea and cucumber sandwiches from the hotel. For a while I stopped talking to people. I stopped eating. I had to go to the hospital. They told me not to think about it so much and put me on medication.
We kept it quiet, though, and by September I was back at Princeton. But I glimpsed again—even more clearly than before—the crack inside her; it evoked in me an almost familial tenderness. When we got up to depart, I offered her my arm and she smiled as she accepted it. Then the two of us walked off, leaving Central Park behind. I remember vividly the feeling of her skin, cool and smooth, on mine.
We had never before remained in contact for such a prolonged period; the sensation that her body was so strong and yet belonged to someone so wounded lingered with me until long afterwards. Indeed, weeks later, in my hotel room in Manila, I would at times wake up to that sensation as though touched by a ghost.
What bad luck! The lights have gone. But why do you leap to your feet? Do not be alarmed, sir; as I mentioned before, fluctuations and blackouts are common in Pakistan.
Really, you are overreacting; it is not yet so dark. The sky above us still contains a tinge of color, and I can see you quite clearly as you stand there with your hand in your jacket.
I assure you: For a city of this size, Lahore is remarkably free of that sort of petty crime. Do sit down, I implore you, or you shall force me to stand as well.
As it is, I feel rude to remain in this position while my guest is uncomfortable. Ah, they are back! Thank goodness. It was nothing more than a momentary disruption. And you—to jump as though you were a mouse suddenly under the shadow of a hawk! I would offer you a whiskey to settle your nerves, if only I could. You smile; I have hit upon a spirit to which you are partial.
Sadly, all the beverages in this market that can trace their origin to your country are carbonated soft drinks.
The Reluctant Fundamentalist
One of those will do? Then I will summon our waiter immediately. Creepy, you say? What a delightfully American expression—one I have not heard in many years! I do not find them creepy; indeed, I quite like them. Lahore was home to even larger creatures of the night back then—flying foxes, my father used to call them—and when we drove along Mall Road in the evenings we would see them hanging upside down from the canopies of the oldest trees.
They are gone now; it is possible that, like butterflies and fireflies, they belonged to a dreamier world incompatible with the pollution and congestion of a modern metropolis. Today, one glimpses them only in the surrounding countryside. But bats have survived here.
They are successful urban dwellers, like you and I, swift enough to escape detection and canny enough to hunt among a crowd. I marvel at their ability to navigate the cityscape; no matter how close they come to these buildings, they are never involved in a collision. Butterflies, on the other hand, tend to splatter on the windshields of passing automobiles, and I have once seen a firefly bumping repeatedly against the window of a house, unable to comprehend the glass that barred its way.
If so, they would have long been extinct in New York—or even in Manila, for that matter! When I arrived in the Philippines at the start of my first Underwood Samson assignment, I was terribly excited. We had flown first class, and I will never forget the feeling of reclining in my seat, clad in my suit, as I was served champagne by an attractive and—yes, I was indeed so brazen as to allow myself to believe—flirtatious flight attendant. I was, in my own eyes, a veritable James Bond— only younger, darker, and possibly better paid.
How odd it seems now to recall that time; how quickly my sense of self-satisfaction would later disappear! But I am getting ahead of myself. I was telling you about Manila. Have you been to the East, sir? You have! Truly, you are well-traveled for an American—for a person of any country, for that matter. I am increasingly curious as to the nature of your business—but I am certain you will tell me in due course; for the moment you seem to prefer that I continue.
Since you have been to the East, you do not need me to explain how prodigious are the changes taking place in that part of the globe. I expected to find a city like Lahore—or perhaps Karachi; what I found instead was a place of skyscrapers and superhighways. Yes, Manila had its slums; one saw them on the drive from the airport: I tried not to dwell on the comparison; it was one thing to accept that New York was more wealthy than Lahore, but quite another to swallow the fact that Manila was as well.
I felt like a distance runner who thinks he is not doing too badly until he glances over his shoulder and sees that the fellow who is lapping him is not the leader of the pack, but one of the laggards. Perhaps it was for this reason that I did something in Manila I had never done before: I attempted to act and speak, as much as my dignity would permit, more like an American.
The Filipinos we worked with seemed to look up to my American colleagues, accepting them almost instinctively as members of the officer class of global business—and I wanted my share of that respect as well. Did these things trouble me, you ask? Certainly, sir; I was often ashamed. But outwardly I gave no sign of this. In any case, there was much for me to be proud of: We were there, as I mentioned to you earlier, to value a recorded-music business. But despite his colorful past, he had managed to sign lucrative outsourcing deals to manufacture and distribute CDs for two of the international music majors.
Indeed, he claimed his operation was the largest of its kind in Southeast Asia and—piracy, downloads, and Chinese competition notwithstanding—growing at quite a healthy clip. To determine how much it was actually worth, we worked around the clock for over a month. We interviewed suppliers, employees, and experts of all kinds; we passed hours in closed rooms with accountants and lawyers; we gathered gigabytes of data; we compared indicators of performance to benchmarks; and, in the end, we built a complex financial model with innumerable permutations.
I spent much of my time in front of my computer, but I also visited the factory floor and several music shops. I felt enormously powerful on these outings, knowing my team was shaping the future. Would these workers be fired? Would these CDs be made elsewhere?
We, indirectly of course, would help decide. Yet there were moments when I became disoriented. I remember one such occasion in particular. I was riding with my colleagues in a limousine. We were mired in traffic, unable to move, and I glanced out the window to see, only a few feet away, the driver of a jeepney returning my gaze.
There was an undisguised hostility in his expression; I had no idea why. We had not met before—of that I was virtually certain—and in a few minutes we would probably never see one another again. But his dislike was so obvious, so intimate, that it got under my skin. I stared back at him, getting angry myself—you will have noticed in your time here that glaring is something we men of Lahore take seriously—and I maintained eye contact until he was obliged by the movement of the car in front to return his attention to the road.
Afterwards, I tried to understand why he acted as he did.
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Perhaps, I thought, his wife has just left him; perhaps he resents me for the privileges implied by my suit and expensive car; perhaps he simply does not like Americans. I remained preoccupied with this matter far longer than I should have, pursuing several possibilities that all assumed—as their unconscious starting point—that he and I shared a sort of Third World sensibility. Then one of my colleagues asked me a question, and when I turned to answer him, something rather strange took place.
I looked at him—at his fair hair and light eyes and, most of all, his oblivious immersion in the minutiae of our work—and thought, you are so foreign. I felt in that moment much closer to the Filipino driver than to him; I felt I was play-acting when in reality I ought to be making my way home, like the people on the street outside.
I did not say anything, of course, but I was sufficiently unsettled by this peculiar series of events—or impressions, really, for they hardly constituted events—that I found it difficult to sleep that night. Fortunately, however, the intensity of our assignment did not permit me to indulge in further bouts of insomnia; the next day I was at the office until two in the morning, and when I returned to my hotel room, I slept like a baby.
During my time in Manila—I arrived in late July and left in mid-September—my main links to friends and family were weekly phone calls to Lahore and online correspondence with Erica in New York. Because of the time difference, messages she wrote in the morning arrived in my inbox in the evening, and I looked forward to reading and replying to them before I went to bed.
Her emails were invariably brief; she never wrote more than a paragraph or two. But she managed to say a great deal with few words. One note, for example, contained something to the effect of: A bunch of us were hanging out on the beach today and I went for a walk by myself. I found this rock pool. Do you like rock pools?
I love them. Perfect, self-contained, transparent. Then the tide rises and a wave crashes in and they start all over again with new fish left behind. It was kind of surreal. Made me think of you. Perhaps this strikes you as an exaggeration. But you must understand that in Lahore, at least when I was in secondary school—youngsters here, like everywhere else, are probably more liberated now—relationships were often conducted over fleeting phone calls, messages through friends, and promises of encounters that never happened.
Many parents were strict, and sometimes weeks would pass without us being able to meet those we thought of as our girlfriends. So we learned to savor the denial of gratification—that most un-American of pleasures!
But I was of course eager to see Erica again and was therefore in high spirits as our project approached its end. Jim had flown in to satisfy himself with our final conclusions; he sat me down for a drink. A shark. I never stopped swimming.
And I was a cool customer. Just like you. The confession that implicates its audience is—as we say in cricket—a devilishly difficult ball to play. Reject it and you slight the confessor; accept it and you admit your own guilt. For half my life, I was outside the candy store looking in, kid.
And in America, no matter how poor you are, TV gives you a good view. But I was dirt poor. My dad died of gangrene. So I get the irony of paying a hundred bucks for a bottle of fermented grape juice, if you know what I mean. As I have already told you, I did not grow up in poverty.
Some of my relatives held onto imagined memories the way homeless people hold onto lottery tickets. Nostalgia was their crack cocaine, if you will, and my childhood was littered with the consequences of their addiction: In this, Jim and I were indeed similar: We were joined at the bar by other members of the team, but Jim sat with his arm around the back of my chair in a way that made me feel—quite literally—as though he had taken me under his wing.
It was a good feeling, and it felt even better when I saw how the hotel staff were responding to him; they had identified Jim as a man of substance, and the smiles and attention he received were impressive to behold. I was the only non-American in our group, but I suspected my Pakistaniness was invisible, cloaked by my suit, by my expense account, and—most of all—by my companions.
And yet… No, I ought to pause here, for I think you will find rather unpalatable what I intend to say next, and I wish to warn you before I proceed. Besides, my throat is parched; the breeze seems to have disappeared entirely and, although night has fallen, it is still rather warm.
Would you care for another soft drink? You are curious, you say, and desire me to continue? Very well. I will just signal our waiter to bring a bottle for me; there, it is done. And here he comes, making such haste; one would think we were his only customers! Ah, delicious: The following evening was supposed to be our last in Manila. I was in my room, packing my things. I turned on the television and saw what at first I took to be a film.
But as I continued to watch, I realized that it was not fiction but news. And then I smiled. Yes, despicable as it may sound, my initial reaction was to be remarkably pleased. Your disgust is evident; indeed, your large hand has, perhaps without your noticing, clenched into a fist.
But please believe me when I tell you that I am no sociopath; I am not indifferent to the suffering of others. When I hear of an acquaintance who has been diagnosed with a serious illness, I feel—almost without fail—a sympathetic pain, a twinge in my kidneys strong enough to elicit a wince. When I am approached for a donation to charity, I tend to be forthcoming, at least insofar as my modest means will permit. So when I tell you I was pleased at the slaughter of thousands of innocents, I do so with a profound sense of perplexity.
But at that moment, my thoughts were not with the victims of the attack—death on television moves me most when it is fictitious and happens to characters with whom I have built up relationships over multiple episodes—no, I was caught up in the symbolism of it all, the fact that someone had so visibly brought America to her knees.
Ah, I see I am only compounding your displeasure. But surely you cannot be completely innocent of such feelings yourself. Do you feel no joy at the video clips—so prevalent these days—of American munitions laying waste the structures of your enemies? But you are at war, you say? Yes, you have a point. I was not at war with America.
Far from it: I was the product of an American university; I was earning a lucrative American salary; I was infatuated with an American woman. So why did part of me desire to see America harmed?
I did not know, then; I knew merely that my feelings would be unacceptable to my colleagues, and I undertook to hide them as well as I could. But hearing them speak of their loved ones, my thoughts turned to Erica, and I no longer needed to pretend.
I did not yet know, of course, that the dying was confined to the limited geography of what would come to be called Ground Zero.
Nor did I yet know that Erica was safely at home when the attacks took place. I was almost relieved to be worried for her and unable to sleep; this allowed me to share in the anxiety of my colleagues and ignore for a time my initial sense of pleasure.
We were unable to leave Manila for several days, on account of flights being canceled. At the airport, I was escorted by armed guards into a room where I was made to strip down to my boxer shorts—I had, rather embarrassingly, chosen to wear a pink pair patterned with teddy bears, but their revelation had no impact on the severe expressions of my inspectors—and I was, as a consequence, the last person to board our aircraft.
My entrance elicited looks of concern from many of my fellow passengers. I flew to New York uncomfortable in my own face: I was aware of being under suspicion; I felt guilty; I tried therefore to be as nonchalant as possible; this naturally led to my becoming stiff and self-conscious.
Jim, who was sitting next to me, asked on multiple occasions if I was all right. When we arrived, I was separated from my team at immigration. They joined the queue for American citizens; I joined the one for foreigners. The officer who inspected my passport was a solidly built woman with a pistol at her hip and a mastery of English inferior to mine; I attempted to disarm her with a smile.
In the end I was dispatched for a secondary inspection in a room where I sat on a metal bench next to a tattooed man in handcuffs. My team did not wait for me; by the time I entered the customs hall they had already collected their suitcases and left. As a consequence, I rode to Manhattan that evening very much alone.
But why do you flinch? Ah yes, the bats; they are circling rather low. They will not touch us; allow me to reassure you on that score. You know, you say? Your tone is curt; I can see that I have offended you, angered you even. But I have not, I suspect, entirely surprised you. Do you deny it? And that is of not inconsiderable interest to me, for we have not met before, and yet you seem to know at least something about me.
Perhaps you have drawn certain conclusions from my appearance, my lustrous beard; perhaps you have merely followed the arc of my tale with the uncanny skill of a skeet shooter; or perhaps… But enough of these speculations!
Let us cast our gaze over a menu; I have spoken too much, and I fear I have been negligent in my duties as a host. Besides, I wish now to hear more oiyou: Night is deepening around us, and despite the lights above this market, your face is mostly in shadow. Let us, like the bats, exercise our other senses, since our eyes are of diminishing utility. Your ears must be exhausted; the time has come to employ your tongue—for taste, if nothing more, although I hope you can be persuaded to speak!
If you are not yet ready to reveal your purpose in traveling here—your demeanor all but precludes the possibility that you are a tourist wandering aimlessly through this part of the world —then I will not insist. Ah, I see that you have detected a scent. Nothing escapes you; your senses are as acute as those of a fox in the wild. It is rather pleasant, is it not? It comes, as your glance suggests you have already surmised, from the table beside ours, where that family has just taken their seats for dinner.
What a contrast: And what a contrast, again: It is remarkable indeed how we human beings are capable of delighting in the mating call of a flower while we are surrounded by the charred carcasses of our fellow animals—but then we are remarkable creatures.
Perhaps it is in our nature to recognize subconsciously the link between mortality and procreation—between, that is to say, the finite and the infinite—and we are in fact driven by reminders of the one to seek out the other. I remember being tasked with downloading such flowers upon the death of my maternal grandmother.
Our Toyota Corolla was lovingly maintained but getting on in years and therefore prone—as happened in this particular case—to overheating. To this day I can still recall the heady aroma of those strands of threaded jasmine piled high in my arms as I walked to the cemetery, sweating in the summer sun. New York was in mourning after the destruction of the World Trade Center, and floral motifs figured prominently in the shrines to the dead and the missing that had sprung up in my absence.
I would often glance at them as I walked by: They reminded me of my own uncharitable— indeed, inhumane—response to the tragedy, and I felt from them a constant murmur of reproach. Other reproaches were far louder. Small flags stuck on toothpicks featured in the shrines; stickers of flags adorned windshields and windows; large flags fluttered from buildings.
They all seemed to proclaim: We are America—not New York, which, in my opinion, means something quite different—the mightiest civilization the world has ever known; you have slighted us; beware our wrath. Gazing up at the soaring towers of the city, I wondered what manner of host would sally forth from so grand a castle. It was against this backdrop that I saw Erica again. Six weeks had passed since that afternoon we spent together in Central Park, and when I called I thought Erica might have other plans, but she suggested we meet that very evening, which is to say the evening of my first full day back in New York, as soon as I was done with work.
I was waiting on the sidewalk as she stepped out of a taxi. A peculiar odor lingered in the air; the smoldering wreckage downtown made its way into our lungs. Her lips were pale, as though she had not slept— or perhaps she had been crying.
I thought in that moment that she looked older, more elegant; she had an element of that beauty which only age can confer upon a woman, and I imagined I was catching a glimpse of the Erica she would one day become.
Truly, I thought, she is an empressin-waiting! Go out to the Hamptons. But I told her the last thing I wanted to do was leave town. The attacks churned up old thoughts in my head. I felt we were encountering one another at a funeral; one never knows what to say to those who have been bereaved. Most nights I have to take something to help me rest. But I feel haunted, you know?
Her marriage was arranged, so she had only met her husband a few times beforehand. In another sense, the quotation endeavours to destroy the abysmal distance between both of them. It seems an obvious thing to say, but you should not imagine that we Pakistanis are all potential terrorists, just as we should not imagine that you Americans are all undercover assassins. The element that makes this element so significant is the figure of Erica, a young American woman characterised by a troubling self that impedes her to commit emotionally with Changez.
Actually, the name Erica is embedded within the word America, which hints there is an interconnection between the two. This is done on purpose; the author shows by means of that the image America attempts to foster internationally. Yet, differently to what it actually happens both in the book and in reality, Erica is a troubled young woman incapable to get over the death of her former boyfriend, Chris.
In relation to this, such sense of loneliness is rendered in a political context as international isolation, which is something that North America, as the great one nation that attempts to project worldwide, fears considerably. This is emphasised by means of Erica's obsession with Chris, which metaphorically impedes Changez to accommodate completely.
In other words, Changez can dwell as an American citizen but he will never be one.I myself had among the top exam results in Pakistan and was besides a soccer player good enough to compete on the varsity team, which I did until I damaged my knee in my sophomore year. Erica made no sign that she wished him to remove his arm, but I drew some consolation from the fact that throughout the dinner she listened intently when I spoke, smiling from time to time and training her green eyes upon me.
But I glimpsed again—even more clearly than before—the crack inside her; it evoked in me an almost familial tenderness. More like popcorn shrimp, you say? Jim had flown in to satisfy himself with our final conclusions; he sat me down for a drink.
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